Tibeb Sirak Miheretu, born in 2002 in Addis Ababa, Ethiopia, is a rising star in the African art scene. His work intricately blends traditional textile motifs with contemporary printmaking, exploring themes of identity, memory, and cultural heritage. Drawing from his Ethiopian and Somali traditions, Tibeb’s art serves as a bridge between the past and the present, the personal and the collective.
“Patterns are repetitive sequences of behavior, thoughts, or emotions that shape our lives. They can be both positive and negative, but often, we find ourselves stuck in negative patterns that hold us back from reaching our full potential.”








Innovative Techniques: Melding Tradition with Modernity
At the heart of Tibeb’s artistry lies a fusion of traditional East African patterns with modern printmaking methods. He employs woodcut printing—a technique involving carving designs into wood blocks, inking them, and pressing onto surfaces—to create textured, layered artworks. By combining this with acrylics on canvas, he achieves a dynamic interplay of color and form. His pieces often feature repetitive patterns reminiscent of the “tibeb” designs found in Ethiopian textiles. These patterns, traditionally woven into garments like the shamma, carry deep cultural significance, denoting identity and heritage. By reinterpreting these motifs through printmaking, Tibeb not only preserves their essence but also reimagines them for contemporary audiences.
Depicting Somali, Ethiopian, and East African Culture
Tibeb’s work deeply engages with the cultural landscapes of Somalia, Ethiopia, and the wider East African region. Through intricate patterns, bold color palettes, and layered textures, he captures the complexity of these interconnected cultures. His art reflects the rhythms of daily life, ancestral traditions, and the evolving identities of East African communities. By drawing inspiration from Somali weaving traditions, Ethiopian ceremonial textiles, and pan-East African design motifs, Tibeb portrays a rich, living archive of memory and movement. His work acts as both a preservation of cultural practices and a forward-looking interpretation, offering viewers a nuanced understanding of the beauty and resilience embedded in East African heritage.
Exploring Patterns: A Reflection of Life’s Rhythms
Tibeb’s fascination with patterns extends beyond aesthetics; he views them as metaphors for human experiences. In his own words, “Patterns are repetitive sequences of behavior, thoughts, or emotions that shape our lives. They can be positive or negative, but we often find ourselves stuck in negative patterns that prevent us from reaching our full potential.” Through his art, he delves into these cycles, encouraging viewers to reflect on their own life patterns and the broader societal structures that influence them. His 2024 exhibition, “Patterns Through Life,” co-hosted with artist Birhanu Manaye at Amasaka Gallery, showcased this thematic exploration. The duo’s works highlighted how patterns—both visual and behavioral—pervade our existence, shaping our identities and experiences. Tibeb’s contributions emphasized the symbiotic relationship between humanity and nature, drawing parallels between cultural motifs and natural rhythms.
Significance for African Textile Designers
Tibeb’s approach holds profound implications for African textile designers. By integrating traditional motifs into contemporary art forms, he exemplifies how cultural heritage can be preserved and revitalized. His work serves as a testament to the versatility of African designs, demonstrating their relevance in modern artistic dialogues. Moreover, his emphasis on storytelling through patterns resonates with the core of African textile traditions, where fabrics often narrate histories, beliefs, and social statuses. By bringing these narratives to the forefront in his art, Tibeb not only honors his roots but also inspires a new generation of designers to explore and innovate within their cultural frameworks.






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