
From January to May 2014, photographer and artist François Beaurain wandered the streets of Monrovia, capturing the city’s vibrancy through a series of unique cinemagraphs—subtly animated GIFs that bring fleeting moments to life. This first-of-its-kind visual travel diary offers a poetic and unexpected perspective on Liberia, a country often overshadowed by its troubled past.
Cinemagraphs are a hybrid between photography and video, where only a small portion of the image moves in a seamless loop while the rest remains still. This technique creates a striking contrast between motion and stillness, drawing the viewer’s attention to a specific gesture, expression, or element within the frame. Unlike traditional photos, which freeze a single instant, or videos, which continuously unfold, cinemagraphs suspend time in a way that feels both surreal and immersive.
Beaurain masterfully applies this technique to Monrovia’s streets, marketplaces, and everyday interactions, transforming ordinary moments into hypnotic, dreamlike sequences. The subtle animations—whether it’s a flickering neon sign, the gentle sway of fabric, or a passing glance—imbue each scene with a quiet dynamism that invites deeper observation. By isolating movement within a still frame, these cinemagraphs preserve the rhythm of life in Monrovia, revealing its energy, resilience, and unexpected beauty in a way that traditional photography often struggles to capture.
Through this innovative approach, Beaurain’s work challenges preconceived narratives, offering a fresh and intimate portrait of a city too often defined by its history rather than its present vibrancy.





Francois Beaurain
“My goal was to find a new medium to depict a place that is always associated with negative images. This problem is recurrent to Africa in general but even more relevant in Liberia. The war is over from than ten years now but most of the stories featuring this country are still linked to the child soldiers as if the country was still a war zone. I wanted to show the routine, the daily life of normal people, to show the exact opposite of the images usually associated with Liberia. Because gifs can be repeated endlessly, they’re the ideal medium to describe this routine.”
The series include 53 gifs in total, all available up to 1920 pixels (full HD) and as a 7’30” full HD video. Monrovia animated has been exhibited worldwide and is currently part of Making Africa exhibition by Vitra Design Museum and Gugenheim Bilbao.




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