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15 June 2009

Interview with Jim Chuchu

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A few months ago we featured digital artist Jim Chuchu. We are always excited whenever he launches exciting  projects like the TRNSMSSN, video art exhibition with Just A Band.  Here’s your chance to get Jim Chuchu a little more.

jimchuchu

Give us a little run down on your profession/area of expertise.

I still hesitate to call photography my profession because of the way I gatecrashed into it through the back door. Also, these days I find myself jumping from one medium to another; photography one day, video and music the next, then a little animation and graphic design the next. I don’t know which I enjoy most. Right now, I make a living mostly from the photography.

How did you get started with photography and videography? Was it a deliberate decision? Do you have an educational background in this field?

It was not a deliberate decision.  I’d always wanted to make films since I was about 12 – so it was a hazy future goal that always hung around in the back of my mind. After college (where I studied IT – so, no I don’t have an educational background in the field), I worked for 6 months as a graphic designer at an ad agency (and hated it) – where I routinely saw commercial photographers saunter in and out of the place, looking like they were enjoying themselves. So I quit in late 2006 with the intention of becoming a freelance graphic designer who dabbles in photography.

I can’t remember what was going on in my head at the time, but I took a loan from my brother to get my first camera. I figured if I could learn how to take good photos, then making film would be easier in terms of getting specific looks. Then all this happened.

What is your favorite tool/application, and why?

My favorite tool would be light – having a snazzy camera doesn’t really matter if the light sucks. I’ve seen the most amazing photos taken on crappy camera phones, and it happened because the subject was surrounded by delicious light.

As for my favorite application, I really like the whole Adobe suite for making it very easy to get ideas out in whatever medium you choose.

So you are an Afrigadget inventor, how did this come about? What has been the response so far? Do you have any more inventions lined up?

afrigadgetAm I really an inventor? Ha, ha! Another accident; I needed to shoot some video and in Kenya you have two options:

A – get REALLY expensive lights from the likes of Film Studios Kenya, or

B – get REALLY crappy tungsten floodlights (which are modified security lights) for hire

I didn’t have a truckload of money, and I really hate the floodlights (they waste so much power and they’re really hot). So I stuck a couple of compact-fluorescents in a cardboard box and used them to shoot the video (I never tell purists this story because they’d vomit all over me).

It was surprising then to hear that there was an article on AfriGadget about my little box. Later on, I began to wonder why there’s such a shortage of innovation in Africa that when someone sticks bulbs in a box he becomes an inventor. The nature of this work forces you to come up with solutions to problems quickly, so there’s always a lot of duct-taping of things to one another, and misusing of ordinary household objects.

What are the fundamental design/artistic challenges you face when working in Kenya (Africa)?

There’s a very strange unofficial motto in Kenyan advertising that goes something like: “Kenyans wouldn’t understand this,” (usually delivered in a resigned I-like-it-but-that’s-because-I’m-cool tone). It’s a firm belief on the part of both the industry and their clients that the average Kenyan doesn’t understand anything that’s slightly humorous or creative.

So the agencies and clients spend hours stripping the life away from any of their cool ideas so that the average Kenyan can keep up. That attitude filters down to all the creative work in Kenya – resulting in us being surrounded by bland and safe adverts, programs, plays, books and music. I always thought that artists are supposed to gently nudge their audience into new places with their work – there’s not much of that happening around here.

Do you think coming from Africa influences your work at all? If so how?

Yes, being in Africa does influence the work. I’m really interested in afro-futurism – the theories about what happens when you place Africans in a future context; our interactions with science and technology and the place we occupy (if any) in a fantasy and science-fiction world. The modern African regards things such as fantasy and science-fiction as suspect, which I find strange considering how naturally we took to things like animism in our past.

Anyhow, there’s an inescapable tone, color and grit that somehow permeates all the work that’s done around here. I also suspect that even the quality of light in Africa is different. There was a time I tried to escape it and create ultra-clean, cold, future-inspired work because of watching too much Hollywood stuff, but I noticed that there was always that color and texture seeping in. So I’m learning to embrace this undefined quality and incorporate it into any vision I have of an African future.

Who are your major artistic influences?

That’s a long list, but I’ll single out David LaChapelle, Pedro Almodóvar, Bjork and Radiohead – they all work in different media, but I like their common disregard for convention and their love of surrealism (and the camp humor of the first two guys).

Which African artists do you have your eye on?

trnsmssn

I was lucky to meet Nii Obodai from Ghana – he’s amazing. He showed me some photos he’d taken with a broken old camera; they looked like abstract paintings – spectacular. Many African photographers feel under pressure to depict all the tough things they see; street-life, war and hardship, but not enough of them take photos of all the beautiful stuff. Try doing a Google Image Search for Africa and the first pictures you’ll see are some civil war somewhere, a drought-stricken refugee camp and if you’re lucky, you’ll get photos of some school kids receiving hugs from a missionary. Sigh.

 

Any advice you’d give to up and coming African digital artists?

I don’t know if I’m in a place where I can start dishing out advice, I still have a long, long way to go. Give me a couple more years?

Do you have any projects you are excited about and want to share with others?

I just finished TRNSMSSN – a video-art exhibition together with Just A Band; it allowed me to mix photos, animation, music and live action. I really enjoyed that; being commissioned to make pieces without logos and corporate agendas and people seemed to like it. Next up, I’m finishing two more music videos, and then I’ll disappear for the next 3 months to work on a secret project. :)

About jepchumba

Jepchumba is an AFRICAN DIGITAL ARTIST and DIGITAL ENTHUSIAST who works hard to combine her two passions: Digital Media and Africa. Originally from Kenya, she has lived around the world developing her interest in philosophy, art and technology. An African digital artist, Jepchumba loves experimenting with motion, sound and various digital effects and techniques and has an extensive background in digital art, web design and development, audio/visual production and social media strategies.

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  • http://www.outofcuriousity.com Mbithi

    Having worked with Jim Chuchu, all I can say about him is pretty obvious to see in his work. A very humble and talented artist. Level-headed which I count as a rarity when working with people of such talent. And for some reason is isn’t constrained by anything. Impossible is not an answer to him. If he sees it in his head, he will do it. A very enduring quality.

    But once again, all of this is clear to see in his work.

  • King’ori Maina

    Good stuff…an avid fan of jim’s work…

  • http://www.e-black.net Adamu Waziri

    I had no idea about Jim’s work so thanks for bringing it to light.

    I agree with his thoughts on the pressure creatives from Africa feel to somehow always show the suffering in the continent and not the beauty. Also I agree that there is soooooooo much bland work being driven by the majority of agencies because the want to play safe. I think they are underestimating ‘African’ audiences intellectual capacity.

  • http://www.twitter.com/RubbyGold RubbyGold

    truly inspired!!great work indeed.
    what he said on the advertising industry is true.. they play it too safe!!

  • Njoki

    Keep up the tremendous work Jim! By “gently nudging audiences to new places” with your work, you are subtly yet undeniably creating a culture of positive forward-thinking and marking Kenyan history forever.

  • davdalx

    Amazing! Self-taught!? I couldn’t believe it until I read it here. He’s changed my outlook, I must say. Good stuff, Jim!

  • http://www.kevinouma.com kevin ouma

    wow! totally challenged

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